Critical History of Radio and TV F16

This timeline is produced by the students of Georgia State University.

Students must post citations of primary source documents related to the history they find in the class articles.

1900-10-27 14:16:51

Roosevelt at the 1900 RNC

Our reading discussed the rise of nationalism at the turn of the century. In the reporting from the 1900 RNC, Teddy Roosevelt uses the rhetoric of nationalism to help heal the wounds of the civil war. "Gov. Roosevelt Speaks: Cheered by 14,000 People in Madison Square Garden." New York Times October 27, 1900

1908-08-30 01:05:09

Vaudeville (Post 2)

In chapter two of Michele Hilme's "Cultural History of Broadcasting in the United States," readers are introduced to the urbanization that occurred in America during the Progressive Era. In particular, vaudeville--a range of entertainment including burlesque, acrobatics and dramas, took the nation by storm. Pictured is an ad for a vaudeville show at Blanley's Lincoln Square Theatre. Also worth noting is the bottom heading, "For Other Amusements See Page 10." That language further highlights the importance of "free time" and the development of the weekend during the period. "Vaudeville," New York Times (1857-1922), Aug 30, 1908.

1911-06-01 04:34:37

John Fleming Wilson Releases "Sparks"

Boddy's "Wireless Nation: Defing Radio as a Domestic Technology" discusses the varied reactions to radio and its once unimaginable capabilities. John Fleming Wilson's short story, "Sparks," tells a story portraying radio in a dark and frightening manner. It tells a story of the frightening and foreign powers of radio as it leads to death and isolation. The short story is significant as it displays one of the varied views on radio. Many found it to be a frightening technology that was not to be trusted. Its powers frightened people, while also amazing others with its abilities. The story paints a negative portrait of radio as it brings about death in its protagonist. It is important to take all early views of radio into consideration as, like all technology, it brought about mixed reviews and emotions.

1912-04-14 19:06:22

Wireless Broadcast Efficiency

Cook's "The Birth of the Network QRFS8" mentions the great increase in efficiency and safety for shipping due to the development of wireless broadcast. The article I found discussed the regulation of the Radio Act of 1912 as a response to the sinking of the RMS Titanic before wireless radio had been made available. Crawford-Franklin, C., & Robinson, L. (2013). "Even in an age of wonders": Radio as an information resource in 1920s america. Journal of Documentation, 69(3), 417-434. doi:http://dx.doi.org.ezproxy.gsu.edu/10.1108/JD-08-2012-0108

1912-05-03 10:38:21

Titanic Radio Reforms

Boddy's piece this week discussed radio as a new frontier for hobbyists that was eventually overtaken by commercial interests. One of the ways in which Boddy illustrated the fascination with radio was likening it to heroic adventures undertaken by boys and young men. Fictional writers in the early 1900s relayed stories of young shipboard operators heroic actions while aboard ocean vessels. Boddy also compares the world of radio as a vast frontier, similar to the ocean that young men wanted to explore. The use of wireless on board ships was a useful tool to allow communication with other vessels and quickly became the primary means of communication for ships. The sinking of the Titanic in 1912 and the loss of over 1,500 lives spurred several reforms involving ships and their use of radio to communicate. This segment from an article in the New York Times showcases a few of the reforms that were implemented involving radios and radio operators on ships. The advent of new technology is usually followed by the advent of new regulations, especially when a tragedy strikes. Special to The New,York Times. (1912, May 03). FOR WIRELESS SHIFT AND MORE LIFEBOATS. New York Times (1857-1922) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com/docview/97375014?accountid=11226

1912-08-06 01:56:09

Who Created Fm Radio?

In our reading, Sloan discussed how Edward Armstrong is the Pioneer of Fm radio, the reduction circuit. Sloan mentions that after Armstrong's discovery, he fought a 20 year patent war with Lee De Forest. Looking into Forest's history, I found that not only did Armstrong derived his invention from Forest's original audion but also Forest was also improving his own invention and creating the ultra audion. Forest was just alittle late in his discovery and did not fully understand the physics of his invention like Armstrong. Ultimately Forest won the patent war due to previous notes on the Audion. De Angelis, Gina. "CHAPTER THREE: Lee De Forest And Optical Sound." Motion Pictures: Making Cinema Magic (2004): 46-61. Book Collection: Nonfiction. Web. 2 Sept. 2016.

1921-04-26 13:58:56

Carter West 1

In "Wireless Nation: Defining Radio as a Domestic Technology," Boddy argues that radio was being sold to consumers drastically by the salesman even outselling the radio makers. This article pinpoints that even though radio prices were getting raised, the demand always continued. We can compare this in the reading on how radios were selling. Even though the prices were raised, the demand continued because the consumer was being convinced of the beauty of radio in their daily lives. "Higher Priced Radios Selling." Higher Priced Radios Selling. Proquest, n.d. Web. Aug.-Sept. 2016.

1922-03-03 14:23:25

Scoffs at Fear of Jazz - Ashley Rollins 2

The fear of jazz from our readings really interested me. Especially the story about little Elizabeth being exposed to the horrors of jazz. I found this article talking about how ridiculous this fear is. SCOFFS AT FEAR OF JAZZ. (1922, Mar 04). New York Times (1857-1922) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com/docview/99572795?accountid=11226

1922-04-09 17:18:52

Selling Radios

In "Wireless Nation: Defining Radio as a Domestic Technology," Boddy mentions the debate of selling radios, particularly the role of the seller--salesmen versus radio experts. The argument here is that while radio experts, traditionally the sellers of radios at the time, had more technical knowledge of the item, salesmen would be able to do a better job of directly identifying with consumers and solidifying the deal. This is one of many examples Boddy uses in the text to show the shift of radio from man's-only hardware to a household item. A New York Times ad from 1922 invites readers to a conference to discuss selling radios and the need for a shift from mechanical stores to department stores. "To Discuss Selling Radio Sets," New York Times (1857-1922), Apr 09, 1922.

1922-05-07 12:00:01

Showing How To Sell Radio Sets

Boddy's work, "Wireless Nation: Defining Radio as a Domestic Technology," talks heavily about the explosion of radio in people's households in the 1920's and the economic impacts of radios briefly. This article from The New York Times in 1922 talks about the growing demand for radios and the implications that this demand has on store owners. In this particular excerpt, the author acknowledges that there is a definite oppurtunity for "large sales," but also warns dealers about the potential risks of selling this new wireless technology. SHOWING HOW TO SELL RADIO SETS. (1922, May 07). New York Times (1857-1922) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/98820623?accountid=11226

1922-06-01 11:32:39

Flappers

This week's reading of Hilmes' chapter 3 sees the ushering in of a new era. The 1920s was a time of great change, economic prosperity and artistic explosion. Hilmes mentions several cultural norms that began to take place in the 20's. One such norm was that of the flapper. Women cut their hair short, wore shorter dresses, smoked cigarettes, and listened to jazz. With this new style comes those who fear losing the older more traditional ways of doing things. This snippet from a New York Times article recounts rules that were implemented to counteract the flapper culture and to keep kids "safe" from the changing and more progressive times. With the advent of new technologies, we often see a backlash and a level of fear related to the change. In the 1920s, the explosion of jazz and the ease of access to listen to jazz via radio contributed to and allowed for a shift in social norms that might not have been accomplished otherwise. Brooklyn parents' blue laws for flappers; include a midnight curfew and chaperones. (1922, Jun 01). New York Times (1857-1922) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com/docview/98629879?accountid=11226

1924-03-05 08:56:33

Jazz

In the reading in Hilmes chapter 3, the emergence of the Jazz age was popularized by the use of radio. In the article "Jazz" published by Outlook Magazine, Jazz music was the most played form of music for people to listen to in the evening. The sense of connection that seemed to bond America together at the time was through radio broadcasts, which highly contributed to the popularization of Jazz music, thus bringing America into the Jazz era. This era would introduce new fashion trends to the American public. Outlook (1893-1924); Mar 5, 1924; American Periodicals pg. 381 2

1924-03-30 14:23:25

Advertising is Ruining Radio!

In the reading by Sloan, it is discussed that the introduction of advertising on the air waves was very controversial at the time; warranting the President to even chime in on his opinion about it. In this New York Times article, a concern is voiced claiming that advertising over the radio waves is interfering with more important broadcasts. "WOULD STOP ADVERTISING BY RADIO: Claim Advertising in the Ether Interferes With Concerts -- Strict Regulations Proposed." New York Times 30 Mar. 1924: 19. Web.

1924-11-27 12:53:07

Radio America

In relation to our assigned reading " Wireless Nation: Defining Radio as a Domestic Technology", Boddy makes the statement that radio as had a hand in shaping the technological advancement of the United States. The fact that radios could be in practically any place in the country and people in different areas could be listening to the same broadcasts at the same time was a very revolutionary technology that helped unify the country. The article that I found, "Radio Section: Radio America" by Robert Norton, also contributes to this idea that radio was a connecting technology that had the power to influence the American youth, for example, the rising popularity of "radio kits" amongst adolescents and even adults during the time period suggests that radio was a major source of interest for the American public. The article concluded that they were living in a "radio age" and that staying on top of the technological advancements of radio should be a priority to the American public.

1925-01-09 15:17:30

Avertisement

Advertisement similar to today dominated the media industry since its early beginnings. Cigarette companies and toothpaste brands were sure to advertise their products on the newly formed radio.

1925-05-05 03:18:13

Radio Act of 1927

In our reading this week, we went over the deeper details of networks and the radio act of 1927. Although this comic strip was made before the government decision, I think it still applies to how corporations come together to make the decisions. This cartoon originally focuses on how these big corporations ignored copyrights of sheet music publishers, ignoring the original creators. I feel after the act of 1927, radio became only for big corporations. Hiram L. Jome, "Radio and the Copyright Problem" in Radio News magazine, Experimenter Publishing Co. Inc., New York, May 1925, p. 2046

1926-01-26 14:23:25

Young Man Wins $500 for Radio Experimentation

In Boddy's reading "Wireless Nation: Defining Radio as a Domestic Technology," he goes in depth on how experimenting with the new radio technology of the late 1800s/ early 1900s was a major hobby among boys and young adult men. These adolescent males were making new discoveries about radio technology constantly by way of this newfound hobby. In fact, in 1926, A young man by the name of Frank Conrad helped improve the ability of radio signaling by using extremely high frequency radio waves. As this article from the New York Times suggests, people were willing to reward young men and boys for their experimenting with radio technology. Since the teens and young adults of the time enjoyed the new technology as a hobby, it was better to depend on them for new developments in radio rather than with adults who were unfamiliar with it. "WINS $500 AWARD FOR RADIO STUDIES: Frank Conrad Gets Institute Prize for Amateur Work in High Frequencies. 500 ENGINEERS AT MEETING Only Two Great Radio Problems Remain to Be Solved, Dr. Dellinger Asserts." New York Times. N.p., 19 Jan. 1926. Web. 25 Aug. 2016.

1926-03-15 00:00:00

Jazz on the Radio

The book talks about the kind of things that were on the radio in the earliest days of broadcasting. Some of our readings particularly mention jazz music on the radio as a rather inflammatory subject during the time. The writer of this short letter to the editor is quite upset about the jazz music they are hearing on the radio, and they intend to express their discontent to the New York Times. Hughes, M. L. (1926, Mar 15). Jazz on the radio. New York Times (1923-Current File) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/103896259?accountid=11226

1926-10-01 14:23:25

The Radio is Getting Better

Oct 1926 Radio commercially grew by storm and new models and forms of the technology were released to the public often. The radio began its turn as a worldwide commodity reaching audience all over (if you had the money). The erupting popular culture and consumerism was a big part of the new growth in the communications and technological world. (Wik, Reynold.” The Radio in Rural America during the 1920s” Vol. 55, No. 4 (Oct., 1981)

1927-03-27 23:25:34

Radio Expansion Sparks Conflict

On reading "The Birth of the Network: How Westinghouse, GE, AT&T and RCA Invented the Concept of Advertiser-Supported Broadcasting” by David Cook, I became interested in the expansion of the radio across the nation. Upon research I came across the Chicago Tribune archives which led me to an article from 1927. The article, titled “Australian Fans Fear Boost In Price Of Sets” dives into government interference in the radio industry in Australia. As the popularity of radio sets rose, the government saw an opportunity to make money off the growing industry. Contrary to the gradual affordable manufacturing and selling of radio sets in America, Australia’s government placed patents wherever they could, forcing wireless traders to pay heavy royalties to the government. "Australian Fans Fear Boost In Price Of Sets." Chicago Tribune 27 Mar. 1927: 7-10. Print.

1927-09-01 18:12:35

Radio Act 1927

In Class we talked about how the radio was supposed to be used for the public. The Government should not be in control of the radio. In 1927 the Radio Act it stated that the Government should not be in control of the Radio. The radio should be used in the public interest. This article talks about how the IRAC (Interdepartmental Radio Advisory Committee) institutionalized a policy that prohibited the Government from control the radio in their ways. It kept the radio serving the public. Benjamin, Louise M. N.p., Sept. 2007. Web. Sept. 2009.

1927-09-18 07:59:00

Serving the Public

In the reading by Cook, it was stated that the Radio Act of 1927 wanted radio broadcasters use the radio as a public resource. The act made it clear, though, that radio was to be mainly used for the public interest. In this New York Times article, it talks about how a station in Montreal, CKAC, which was the only North American bilingual radio station at the time, would broadcast musicals and world news in order to cater to the interests of all their bilingual listeners. RADIO IMPRESARIOS ANNOUNCE THEIR WINTER PLANS: Boston Symphony in Twenty-four Concerts -- World's Series, Football Games Educational Lectures and Opera Stars Scheduled for Broadcasting." New York Times 18 Sept. 1927: n. pag. Print.

1927-09-21 14:23:25

Chicago Broadcasting : Post 3

In chapter four of Michele Hilme's "Cultural History of Broadcasting in the United States," Chicago is introduced as a heavy influencer in radio production. Two stations in particular, WGN and WMAQ, are pointed out as being two of the most influential. These stations were able to bring something new and exciting to radio, their broadcasts featuring a newspaper-inspired model influenced by they're owners the Chicago Tribune and the Chicago Daily News. The reading points out WMAQ's influence in the rise of entertainment radio. This week's timeline post features an article printed in the Chicago Daily News, praising WMAQ for leading the pack in entertainment radio: trailblazing the way as the first station to ever broadcast the Chicago Symphony Orchestra. “Display Ad 30—no title,” New York Times (1923-Current File), Sept 21, 1927.

1928-01-01 14:23:25

Carter West 2

In "Radio Comes of Age," they discuss Reginald A. Fessenden who added voice communication to the radio signals. This article goes more in depth into how his inventions made vessels across the water safer. The article states that Fessenden's audio invention allowed boats to be aware of their whereabouts at all times, this goes to show how important radio was for the industrial movement. Another invention the article discusses is the fathometer. This invention acted like a depth finder in foggy weather and shallow waters. This allows us to connect that radio was boosting other inventions across the globe to expand not only safety across the waters but improvements to the industrial business. "Inventor Offers A Talking Violin." New York Times, n.d. Web. Aug.-Sept. 2016.

1928-02-02 14:23:25

Radio Danger!

In our reading from "Wireless Nation: Defining Radio as a Domestic Technology," Boddy discusses radio as a burgeoning technology. He describes a young man, Eric Palmer, whose father believed Eric's devotion to radio was becoming detrimental. His father asked the Federal Radio Commission to withdraw Eric's radio license (which they did). This New York Times article follows up with Eric Palmer showing that his love for radio did not ebb or diminish after his suspension. Eric's fervent interest in radio exhibits the new technology and its immense influence on early 20th century male youth. "Back at Radio, His 90-Day Penance Over; Heeded Board's Advice to Study and Sleep," New York Times (1923-Current File); Feb 2,1928; Proquest Historical Newspapers: The New York Times pg. 1

1928-05-19 00:00:00

Otto Gray's Band at KDKA For Indefinite Engagement

1928-07-31 14:23:25

Radio Monopolies Not Peachy

In his argument about the creation of the network system, Cook mentions that radio networks were established in part by shipping companies', like the United Fruit Company's, need for more efficient radio signals. This article actually discussed how the United Fruit company was actually later accused of having a radio monopoly on three counts, all of which the company denied.

1928-09-21 15:08:18

Carter West 3

This article discusses more in depth into how the Radio Act of 1927 paved the way for radio in the future. In this article it states "the best thing The Radio Act of 1927 did for radio was it protected the air channels for posterity." While the readings discuss the numerous benefits of the Radio Act this article discusses the greatest necessity of the 1927 Act and the problems that followed. Later in the article it discusses how funds were very scarce for future generations to keep up the provisions of the act. This article brings more light to the complications of the Radio Act for future generations and pinpoints its importance for generations to come. Dill, Senator. "RADIO LAW MUST BE AMENDED TO PROLONG COMMISSION'S LIFE." Senator Dill Believes Control Board Should Be Left In Office. New York Times, 2 Oct. 1927. Web. Sept.-Oct. 2016.

1928-11-21 07:45:17

Public Interest and Regulation in 1928 (POST 4)

Chapter 4 in the textbook mentions Louis G. Caldwell's attempt to help regulate broadcasting by means of public interest, using a technological superiority tactic. The article I found mainly focuses on public interest and where technological rationality came about, revisiting the meaning of public interest overtime. Baek, M. (2003). Public interest and technological rationality social determinants of american broadcasting, 1920–1927 (Order No. 3114338). Available from ProQuest Dissertations & Theses A&I. (305334310). Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/305334310?accountid=11226

1929-07-19 14:23:25

Telepathy - Ashley Rollins 3

I found this article after searching for NBC. I wanted to see what was being written about the radio programming. I thought it was interesting because I imagine that the public was pretty mystified by radio when it first came out. This shows a different kind of programming that we haven't talked about. CALLS TELEPATHY SUCCESS. (1929, Jul 19). New York Times (1923-Current File) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/104949037?accountid=11226

1929-07-28 14:23:25

Amos 'n' Andy (Post 5)

In chapter five, we see vaudeville's decline in popularity. The industry, however, was able to sustain thanks to radio. One show in particular, "Amos 'n' Andy," was considered one of radio's first blockbuster hits. The comedy showcased white men dressed as black men also known as blackface. This week's content features promo and an announcement of the show coming to New York. "Amos and Andy Come to New York," New York Times (1923-Current File), July 28, 1929.

1929-09-04 11:32:39

The Original Internet

In "Wireless Nation: Defining Radio as a Domestic Technology", Boddy mentions "...the hobby of radio in the early twentieth century helped set up the gender and domestic associations of the electronic media which still resonate a century later". Likewise, in an article titled "Radio: The Internet of the 1930's", by Stephen Smith he states that "Virtually no one owned a radio set, but on election night that year, KDKA broadcast news of Warren G. Harding’s victory in the presidential election, passing along returns phoned in from the local newspaper. The number of licensed broadcast stations surged from five in 1921 to 500 by 1924. Radio quickly became a consumer craze." In Boddy's article, he talks about the use of radio as a form of entertainment for young children and adults. However, as stated in Smith's article, radio also became a way for consumers to stay informed with current events. Similarly, this is what the internet offers us today. Consumers stay informed and can learn new information from the comfort of their own homes. The internet also provides an infinite number of ways for consumers to stay entertained and has even become a form of work for numerous people. Without the radio, there would have been no foundation for electronic communication and entertainment, meaning it is very likely that the internet may never have come to life. Essentially the creation of radio has ultimately led to the main means of communication and entertainment we have today.

1929-11-03 00:00:00

African American Radio - Parker Estopinal 9

I found this article summarizing the rise of African American radio; It's relatively concise, but in the midst of the civil rights movement the ability to speak through public airwaves was crucial.

1930-01-12 14:23:25

What is Radio's Destiny

In our reading, Boddy discusses the wireless radio popularity in male youths and the progression from a hobby to a household staple. This article from New York Times also touches on the evolution of the radio and looks to the future of what could be in the coming years. By ORRIN, E. D. J. (1930, Jan 12). WHAT IS RADIO'S DESTINY FOR THE COMING DECADE? New York Times (1923-Current File) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/99035590?accountid=11226

1930-02-23 14:23:25

David Sarnoff and His Radio Kingdom

In our reading, "Radio Comes of Age," we read about the legitimization of radio and networks. This article from The New York Times discuses David Sarnoff and his work at RCA. This relates to our reading of the history of radio. It also relates to our discussion of "The Great Man Theory." This article glorifies Mr. Sarnoff and places him within a certain progress narrative of the history of radio (being led by specific white men). The article also discusses how Sarnoff's work was important in spreading English as a language. This relates to our discussion of a new found Nationalism in the United States during the Progressive Era (spreading US language and morals was imperative). "David Sarnoff Grew Up in Radio's Vast Field," New York Times (1923-Current File); Feb 23,1930; Proquest Historical Newspapers: The New York Times pg. 136

1930-09-22 07:59:00

Public Interest - Juli Horsford 3

Our readings this week discussed some legislation that went into effect in the late 1920s. The Radio Act of 1927 stressed several aspects of the radio industry that those involved in the business wanted to capitalize on. A clause in the act stated radio should operate in terms of "public interest, convenience, or necessity." Public interest was an important aspect that radio utilized in designing its infrastructure as a business. The fair, held in honor of radios tenth anniversary, mimics events held today to introduce the newest technology trends to those in the industry as well as to the public. Involving the public in these types of events is obviously important to show off new developments as well as to take the temperature of the consumers in regards to new projects and products. The radio fair was an early indicator as to the importance of including the public in new technology ventures. RADIO WORLD'S FAIR OPENS HERE TODAY. (1930, Sep 22). New York Times (1923-Current File) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/98818015?accountid=11226

1931-01-08 14:23:25

Television Tea - Ashley Rollins 6

Our readings, and in class, talked about how television was transformed to be more appealing to women. I searched for more articles about TV and women and found this. There was a television tea party basically. It was more interesting to me that it was for an engineering women's club and not your standard housewife. Women "meet" over wire at first "television tea". (1931, Jan 08). New York Times (1923-Current File) Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com.ezproxy.gsu.edu/docview/99537945?accountid=11226

1931-02-09 00:00:00

Fighting Fortune

We discussed in class how radio was designed for the "public interest" and, because of this, there was a shift away from fortune telling and horoscopes on radio shows. This piece shows how Dr. Charles Francis Potter thought that fortune telling was unfair because the general public was too gullible and would believe it. Interestingly, though, I found another article about a fortune teller name Charlotte Charlier who was quite a successful fortune teller. Her estate was worth $20k (which is almost $600k today) at her death. "POTTER ASSAILS CREDULITY: Urges Fight Against Fortune Telling and Superstition." New York Times. Feb 9, 1931. pg. 17. Print.

1931-03-06 00:00:00

First Episode of "The March of Time" Air

CBS aired the first episode of "The March of Time" and it was an immense success. It featured Orson Welles, Agnes Moorehead, Art Carney, and Arlene Francis. It was successful enough that it ran on and off until 1945. The displayed the success and popularity of radio at the time. Orson Welles would even later go on to create one of the most famous radio plays of all time with "War of the Worlds.' The show as also such a hit that it was sponsored by the likes of Wrigley Gum and Remington Rand. The show also displays the immense success of radio and media by even spawning a play that ran in theaters from 1935 to 1951.

1931-10-01 13:27:22

Television: Is it Getting Anywhere SW-7

This week we have been discussing how the television became incorporated as a medium for entertainment and informative reasons for the mass American audience. The television didn't gain as much popularity during it's early years due to most attention and technological efforts being aimed towards supporting the war. In this article, "Television: Is it Getting Anywhere?" by George Tichenor basically stated that although many marveled at the "new" technology, it was still considered very experimental. It would remain in this experimental and progressive period until after the end of WWII. Tichenor, G. 'Television: is it getting anywhere?. Forum and Century. Vol LXXXVI.4. Oct 1931. 218.

1933-01-01 03:57:21

CBS and NBC Add 12 new Comedy Variety Shows

In 1933, CBS and NBC added twelve new comedy variety shows. This displays the enormous success of comedy on radio and similarly made programs. The shows, especially "The Jack Benny Program" were immensely successful. Hilmes, Michele. Only Connect: A Cultural History of Broadcasting in the United States. Belmont, CA: Wadsworth/Thomson Learning, 2007. Print.

1933-02-28 14:23:25

Less Horror - Ashley Rollins 5

In class, I was really intrigued by the horror show we listened to. I looked up the horror genre to see what news articles I could find related. I found this one discussing how NBC was forced to pull back on the horror shows because it was affecting the youth. I thought this was interesting because I feel like we have the same arguments going on today. Help - this link will open in a new windowCite× Cite Citation style: Change Selectcitation by selecting the enter button then copy and paste the citation into your document. Radio: SQUAWKS FORCE NBC MOVE FOR LESS HORROR. (1933, Feb 28). Variety (Archive: 1905-2000), 109, 47. Retrieved from http://ezproxy.gsu.edu/login?url=http://search.proquest.com/docview/1529261138?accountid=11226

1933-03-01 14:23:25

Depression Radio Advertising

In Chapter 4 of our textbook, The Great Depression and its influences on American society were discussed. This article discusses how radio advertising had to change with the economic hardships of the Depression. Executives had to rethink their money making schemes during this time of turbulence. Henry, John M. “Depression Radio Advertising,” Broadcasting, Combined With Broadcast Advertising (Archive: 1933-1936) 4.5 (Mar 1, 1933): 31.

1933-03-01 14:23:25

How Bad Was Radio Affected by the Depression?

In Hilmes chapter 4, we read about the many effects of the Depression. Hilmes further elaborates on the effects on the radio industry, and tells us that the RCA's stock fell drastically, which led them, in the mid- 30's, to start investing with ad agencies. This article that I found basically gives us the numbers on how bad the RCA was affected by the Depression. "RADIO CORPORATION HIT BY DEPRESSION." New York Times 01 Mar. 1933: n. pag. Print

1933-05-07 00:00:00

Comic Strips as Art

With the advent of comic strips in newspapers and other publications, as discussed in Hilmes, came the subsequent dystopian reading of comics as crude or "low brow." In the New York Times, Elizabeth Cary provides a utopian narrative about comic strips, detailing that they can actually be art, such as Cecile Belle's "Monologue." Cary, Elizabeth. "The Art of Making Laughter in One of Its Modern American Manifestations -- The Comic Strip as an Art Medium." New York Times [New York, N.Y] 07 May 1933: X8.

1933-07-26 14:23:25

The Fair (Post 6)

In the Becker reading, “Hear-and-See Radio: In the World of Tomorrow,” the World Fair is presented as a way to combat the economic turmoil of the Depression. This New York Times article highlights the success of the fair, particularly the increase of job availability. In the piece, a Chicago manager says that the project had put an estimated 100,000 jobs in rotation. “Fair Makes 100,000 Jobs,” New York Times (1923-Current File), July 26, 1933.

1933-07-30 00:00:00

New Social Era Forseen

Boddy's "Wireless Nation: Defining Radio as a Domestic Technology" talks of radio as a way to "ameliorate the disparities of class in early twentieth-century America." This New York Times article, titled "Lifting the Blindfold," talks about the new social era that will come out of the further use of radio optics. Dunlap, Orrin E., Jr. "Lifting the Blindfold." New York Times 30 July 1933: 120. Print.

1933-09-01 00:00:00

A Hand for Radio- SW 4

In Hilmes chapter 4, the booming economy and overabundance of the 1920s are brought to a startling halt by the stock market crash of 1929, thus setting the scene for the Great Depression to take place. When Franklin Roosevelt is elected and starts enacting New Deal programs, many different sectors are affected by them. In the article, " A Hand for Radio" by Charles Magee Adams, he states his fear of the survival of radio during the time if some sort of regulation doesn't get involved to try to conserve it. Adams feels that the New Deal may help other struggling industries, but will not be of much help to the radio industry. Adams, Charles. " A Hand for Radio".The North American Review (1821-1940)236.3 (Sep 1933): 205.

1934-01-01 14:23:25

Communications Act 1934

We talked in class about the Radio Act of 1934 and how it solitifies much of the public interest. This article that I found gives some examples how the use of radio in schools helps inspire kids.The use of radios will help teach the kids more about radios instead of just tuning to a broadcast. This relates to what we talked about in class because it helps uplift the children and helps teach them new things. Tompkins, Richard. "WIDE USE OF RADIO IN SCHOOLS NEAR: Officials Here Studying Plan to Bring Broadcasts to All Classrooms. SPUR TO INTEREST IS SEEN $10,000 for Experiments in the Next Two Years Advocated in Sheehan Report." ProQuest. N.p., 8 Nov. 1936. Web. 16 Sept. 2016.

1934-02-22 00:00:00

Screwball Comedy

Screwball comedy was a genre of film that gained popularity during the Great Depression. It blended the farcical with the sophisticated, and often contained thought provoking social satire which served as escapism for Depression-era audiences.

Critical History of Radio and TV F16

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